Veteran’s Day

I’ve never been drafted to serve in a war.

I’ve never seen bombers flying overhead.

I don’t know what it looks like when someone gets shot in the head.

Idon’t hear about bombings in Pakistan and Afghanistan and think “That could have been me.”

Political factions have never cut of my power, or my water, or my food.

If I sleep poorly at night, it’s never for fear of my safety.

I have the leisure to think about myself.

When the government does something I don’t like, I’m not afraid to say so.

For all this, I thank our veterans. All you brave souls: thank you.

What the Internet Likes

Being a blogger who sits in the sad, lonely corner of the Internet along with all the twitchy Twitterers whose updates all look like “f*cking blue dog dems need to stfu,” I occasionally (okay, frequently) feel the need to inflate my own sense of importance.

This time, I’ll be doing that by using my humble little blog as a statistical snapshot of the things the Internet likes.

Oh, Internet, you’re such a muddled psychotic bitch (or bastard, in the interest of equality)…

By far, the Internet loves VY Canis Majoris, the current candidate for “largest star in the universe,” more than anything else. Since I posted it, it’s gotten an absurd 13,766 views. Whoo.

Okay, so that’s nice: people want to learn things about the mysteries of the universe. Cool. Maybe we’re doing better as a society than I thought. But no. No. The rest of my science posts languish in the bottom of the bargain bin, while, by far, my Zombie Simulator-related posts are the proud runners up, having garnered 10,466 views.

Okay. Internet-people like zombies. No big surprise. You know what else Internet people like? Stupid memes. That crazed devotion to sloppily-doctored pictures with poorly-spelled captions earned my “Yo Dawg…” post 437 views. What to take away from this: the Internet likes memes, but it likes them more than an order of magnitude less than zombies.

Struggling along near the back of the pack, battling shinsplints since the first quarter-mile, is the Giant Rubber-Band Ball, with 302. Puffing along beside it, considering an unsportsmanlike elbow to the face, is Poor Man’s Liquid Nitrogen with 292.

So what have we learned? Well, that the Internet is a big fan of impractical time-wasting things, often with a scientific theme. A lot like me.

But you might be asking, what doesn’t the Internet like? Well, a lot of things, but mostly, my weekly updates and various other posts about my life. So the Internet thinks I’m kind of a loser. A lot like me. But now, that’s really more my psychiatrist’s business than yours, isn’t it.

http://asymptote.wordpress.com/2009/01/08/yo-dawg/

Awesome Chart

I’ve been a fan of xkcd ever since I discovered it a few years. There’s something about the comic’s simultaneously intelligent and absurd humor that strikes a chord in me. But today’s comic is one of those rare ones that’s intelligent, absurd, and remarkable. The caption basically says it all, but I’d like to add that Mr. Munroe was spot-on about Primer: the world’s coolest time-travel movie with the world’s most incomprehensible plot.

Image courtesy of http://xkcd.com/

(With many thanks to Randall Munroe!)

NaNoWriMo 2009!

Oh, man. The magical season is upon us again. And good guess, but I don’t mean the Halloween season. I mean the glorious month of November, where thousands of people sweat out, bleed out, or otherwise excrete a 50,00o-word novel. National Novel-Writing Month returns again! I’m honestly a lot more excited than is reasonable, but I always have a really smashing time, and who knows, maybe this year I’ll actually make good on my promise to revise the aforementioned excretion.

Anyway, here’s a brief preview of this year’s novel:

TAC-Cover

Plenty of neurotic losers spend their high school years plotting the destruction of the human race. Jon Cordin may be the first to succeed…

To My Nasty Virus

Dear Virus,

Although I was thrilled to be chosen as your auspicious host, I believe that our relationship is over. Really, it’s over. Get your shit out of my closet, clean out my sinuses, and get packing. You are freakish and unnatural. You exhaust me. No 21-year-old should have the energy of an unhealthy 60-year-old man with a bad knee and a serious Nyquil habit. How the hell am I supposed to explain to my reader(s) why I haven’t been able to stick three coherent sentences together. It’s over. Move on. I have a wide variety of friends and relatives you can stay with. It’s time to broaden your horizons, spread your wings.

Sincerely,

The Guy Who’s Been Sick For Two Months

The Weekly Limerick #1

Because it seems so much more entertaining than “The Weekly Update.”

As usual, not much to say.

School tends to fill up my days.

Played some new games, it’s true

I could write a review

But I probably won’t anyways.

From the “Smashing Stuff Into Stuff” Department…

To prove that my abandonment of my math major doesn’t disqualify me as a nerd, I will very likely be awake at 7:30 tomorrow morning, seated expectantly in front of my computer, waiting for the LCROSS probe to impact the Moon’s south pole. I giggled fairly hard when Deep Impact smashed into the comet Tempel 1 a few years ago, and I’m embarrassingly giddy this time to be able to watch the event live.

Aside from the fact that it’s awesome, NASA are punching a hole on the lunar surface in order to study its composition, to find out how much water/hydroxyl is actaully down there. To steal a joke from Drew Carey: If they find some, you know what that means: another four-dollar bottle of imported water! But I digress.

The impact is to be broadcast live on NASA TV, and is scheduled to occur around 7:31 AM Eastern Daylight Time. Not for the first time, I curse the fact that I was born in the Southeast, because thanks to the Earth’s damnable rotation, I’m not going to be able to observe the impact directly. But I will be watching, and it will be awesome. Be there or be round. (See, I’m funny!)

…Wait, What?

So, in case you didn’t know, WordPress (the lovely site that hosts this blog) has a stats dashboard that lets you know how many people viewed your blog, and how they got there. There’s one panel that shows what search engine terms people used that led to your blog. Today, I was greeted with this:

InsectI don’t know what should bother me more: that someone actually searched for this, or that this search led to my blog…

The Marathon Ends

As I’d sort of expected, it didn’t last nearly as long as I’d thought it would. In the end, I managed 4,924 words in four hours, which is nothing to sneeze at. I’ll probably be posting an excerpt from the first draft of “Street Food” soon.

In the end, it wasn’t my willpower or my stamina that failed me. What happened was, in the metaphorical twelfth mile, I started to get shin splints, and then the marathon was canceled on account of rain, and I realized that it was probably for the best. I feel only mildly disappointed: four hours of constant writing was more of a strain on my flimsy sanity than I really need.

Okay…I guess I’ll go of and do something “productive.” Damn it!

Really, A Marathon

The big day’s here! The Sunday Writing Marathon will begin shortly. I’ll be doing occasional updates here. Wish me luck!

Update: A Marathon

As far as I can tell, the Sunday Writing Marathon will go ahead as planned (although, I’m thinking I’ll make it an eight to ten hour event, twelve is starting to seem a bit much). Although now, I’ve lost any opportunity for comfortable boredom with the idea, since I’ve decided I will not in fact be spending that time working on my current novel project, which I’ve decided to put on hold for the time being, since basically, I’m sick of the boring-ass main character and the boring-ass plot makes me want to punch myself in the nose.

In other words, now I have two frightening ordeals: trying to come up with a great, inspiring novel idea in the next sixteen hours, and then writing it for eight to ten hours. So, for anybody who was worried that this wasn’t going to be as painful, stupid, and humiliating as running a real marathon, it’s your lucky day!

A Marathon

Not a real marathon. Oh god no. For the time being, I’m content that I’ve actually lost enough weight to see my ankles without bending down (much). No, in typical Life of an English Major fashion, I’m talking about a writing marathon. Since I’ve yet to come up with a suitable topic for the Infinite Novel, I had a slightly saner and much stupider idea: why not spend an entire day writing? Because there’s no way banging on a keyboard and staring at a screen for twelve hours could hurt anybody, right?

Here’s the plan: this Sunday, I’ll get up, eat breakfast, and then write all day. From nine in the morning to nine at night. Twelve hours of constant writing, stopping only long enough to pee, guzzle coffee, gorge on premature Halloween candy, and clutch my ruined fingers and weep.

If all goes well, check my Twitter profile on September 27th. In between finger-ruining and frustrated head-banging, I’ll be posting updates.

(I love how I wrote this whole post with a straight face, as though I have, like, actual readers)

Can it be…?

Yes it can. I am now officially an English major. Judging by the pretty much complete lack of mathematics on the site, I’m thinking this is a bit like coming out of the closet: the only one who’s surprised is the person who’s actually coming out. Not that I know anything about that. I’m a manly man. Couldn’t you tell?

Anyway, I don’t expect many changes other than the title. I still plan to ramble on about NetLogo models, spout random musings, and (possibly) screw around with a lot more dry ice. Glory awaits!

Posted in Meta. 1 Comment »

The Infinite Novel

While I was sitting around thinking about my latest project (I’m making another crack at writing and revising a novel), I had a silly idea, and as so often happens, rather than dismiss it without a second thought, I thought, “Well hey, that’s kind of interesting.”

The silly idea is this: an unfinishable project, a novel that never ends, that I keep writing until I grow old and die. (I know what you’re thinking: “That didn’t get caught by your silliness filter?” To that, I say: “I have a very porous silliness filter. You know, in case that wasn’t obvious.”) The Internet makes this a lot more practical than it would otherwise be. Here’s how I see it: when I sit down to my daily writing session (thanks to Stephen King for teaching me about that, by the way; a scheduled daily writing session has done me a lot of good), I hammer out another sentence or paragraph or page or chapter of the novel. And then, I just don’t stop. I keep writing, and the story keeps unspooling itself in my mind. The major factor that’ll determine whether or not I actually attempt this is whether or not I can find a suitable premise for an infinite story. After all, I don’t want it to just be some sort of Gödelian “A Thousand and One Nights.” Some planning is obviously necessary before I even consider the idea.

More news as events warrant.

(Note: I was this close to trying to write an infinite epic poem, but then I remembered my poetic skills are confined to the writing of goofy limericks.)

From Wikipedia

Child Crying

“Honey? Why are the kids crying?”

“Well, I needed some public-domain photos for Wikipedia…”

“You made our children cry for a Wikipedia article???”

“It’s scientific!”

Movie Review: “District 9″

Ever since I started reading science fiction a few years ago, I’ve been violently disappointed by every science fiction movie I’ve seen. After all, once you’ve read something by an author as flamboyant and vibrantly engaging as Harlan Ellison, or even something as pointlessly meandery but well-thought-out as Robert Heinlein’s Starship Troopers, it’s hard to muster any interest in yet another cookie-cutter action-movie-in-space oh-my-god-they-did-it-again snoozefest. And in fact, I probably wouldn’t even have seen District 9 if I hadn’t found out Neill Blomkamp–director of the painfully short but lovable “Alive in Joburg”–had directed it.

Well, I’m very glad I didn’t miss it, because now I don’t need to bother seeing another movie for the rest of the year. With the possible exception of Children of Men, District 9 is the best movie of the decade.

Allow me to summarize the plot (the utterance of which you should take as a SPOILER WARNING): twenty years ago, a huge alien spacecraft hovered into place over Johannesburg, South Africa, and stalled. Those cheeky, curious humans, in typical fashion, chopped a hole in the side and found it full of dirty, emaciated, sickly aliens, who were promptly pounced upon by immigration agents and shuffled off into District 9, a slummy, decrepit shantytown near the city. Twenty years later, Wikus van de Merwe, an alien affairs agent working for MNU (the agency tasked with keeping the gross and squishy aliens (called “prawns”) out of sight of the sensitive, right-minded South Africans), has been tasked with going into District 9 and politely informing the aliens that we-uns don’t like yer kind ’round our fair city ‘o J’hannesberg no mores. Being a dunce and an asshole (“Here, take that, a souvenir from your first abortion!”, he says jovially at one point), he immediately gets himself into trouble and launches a massive battle that involves MNU, the downtrodden prawns, Nigerian gangsters, and enough firepower to level the whole of ol’ Joburg.

By now, this isn’t really sounding like the setup for a typical action movie, which is convenient, because District 9 is anything but. About half of the scenes are shot in an amazingly well-done documentary style (eat your heart out, Cloverfield), and it’s hard to fight the urge to write your congressperson about the horrible treatment of the prawns of Johannesburg. You see the aliens walking around, fighting over scraps of food, cowering in their shanties, pissing in the street, quibbling with Nigerians, generally trying to make a living. You know, like sentient beings are prone to doing. These are not the erudite space-angel cop-out bullshit aliens of movies like Close Encounters, these aliens are gritty and physical and, thanks to the best application of CGI I have ever seen, look REAL. I mean really real. Coming out of the theater, I half-expected a lobsterlike thing with a tentacled face and voice like a man hocking a loogie to beg me for spare change.

To me, it’s odd that District 9 should be such a damned good movie, seeing as it’s got a lot of the standard components of the genre: aliens with a dubious relationship to the oppressive humans, gunplay, energy weapons, conspiracies, biotechnology. It’s like Blomkamp disassembled a Yugo and somehow reassembled the parts into a Lamborghini. A low-emission hybrid Lamborghini, at that.

Which gets to my main point, and the reason District 9 puts pretty much everything that came before to shame. It actually has something to say about the world. In between (and sometimes in the middle of) the raging gunfights with “pop-goes-everybody” cannons and powered armor suits, are gritty bits of slice-of-life. The exact same social forces that allowed apartheid to flourish in South Africa for decades have forced the prawns into a miserable, dirty, painful existence. Because all human beings are greedy bastards who fear anything different from them, the prawns live in ghettos, surviving on catfood in tin shacks, and MNU saw a convenient opening to make some money off them at the same time. Wikus, like the audience, is force-fed this realization, and although it’s uncomfortable, it doesn’t come off as preachy. Neill Blomkamp has such a keen sense for both cinema and society that he’s able to pack conspiracy theories, gunfights, dark humor, and sci-fi tomfoolery end-to-end-to end without it seeming crass or exploitative or, worse, forced.

If you were still expecting a little patch of criticism in spite of the last seven hundred words of fanboyish gushing, well, the best I can do is that Blomkamp did manage to shoehorn an excessively-evil villain into the mix, one of those really annoying movie villains who keeps failing to die. There are a few other nitpicky complaints I could make, but honestly, for the first time ever, the rest of the movie is so good it actually makes up for its flaws. District 9 is a child of a different era, an era when people didn’t say “Donnie eats Doritos and plays World of Warcraft in his mother’s basement 20 hours a day, but he’s still a decent boy,” and when people didn’t say, “Well, the plot’s kinda stupid, but see it for the effects.” This is a movie from the era of “Well, George may have lost that arm in Korea, and maybe he drinks way too much, but he puts food on the table, so god bless him!” What I’m trying (a little too hard, I suspect) to get across is that District 9 is a movie that cares about the world, made by people who care about real social issues, and at the same time, is so incredibly entertaining that I never once felt like I was being preached to.

In summary: District 9 is substantial, beautiful, gross, amusing, funny, action-packed, textured, real, and enormously fun. You should see it, but don’t come crying to me when everything else this year is a pathetic disappointment in comparison.

Final Judgment: * * * * * * * * * º (9.9/10)

(I saw the movie on Sunday, and I have yet to come up with a single decent “prawn cocktail” joke. For shame!)

(Mr. Blomkamp: as per our previous arrangement, please send the seven million rand to my secret account in the Caymans)

Veteran’s Day

All right, I want to take a break from snarkiness and sarcasm to give my earnest thanks to all the world’s veterans whose sacrifices kept me free, and to those brave souls on the front lines, wherever and whoever they may be.

Stranger Than Truth

Not long ago, I decided to merge my fiction blog with my regular blog. Well now, in the interest of preventing confusion, I’ve un-merged them and moved all of my stories to a new blog called “Stranger Than Truth”. I hope to update it regularly (and get back to updating this blog regularly, too). For now, though, you can find a few hitherto-unpublished stories there. Enjoy!

So Bad I Couldn’t Finish It: “Slither”

So I once again feel the need to convince myself that I’m not just yet another hobby blogger spewing random opinions out into cyberspace. And thus, another pithily-named recurring segment that will probably never recur. I present to you: So Bad I Couldn’t Finish It, a (possible) review series in which I vomit bile all over a movie or book or videogame that was so truly awful that I couldn’t sit through the whole thing.

I’m an avid reader, and I don’t like the feeling of putting a book down unfinished. I plowed through Gerald Edelman’s dense and almost unreadable neurology book Wider Than The Sky back when I was a high school student with a laughable attention span. So, it says something about Edward Lee’s novel Slither that I just couldn’t force myself to finish it.

The novel’s plot runs something like this: a pair of scientists is sent to a tiny island off the coast of Florida to gather samples and escort a ditzy photographer from National Geographic. The island houses an “abandoned” military installation, so the group has a military escort. After a while, they discover some very odd things: giant trichinoid worms, reproductive cells that should be microscopic but are the size of ladybugs, and a profusion of weird cameras and equipment. Some pot farmers have been using abandoned missile sheds as grow-houses, and they get chucked into the action.

The thing is, I’m not sure what that action is, because, although the plot is complex and well-thought-out, the writing is so dry and lifeless that I couldn’t make it to the climax.

I say “climax” for a reason, because Slither is dripping with what I can only assume is sexual frustration. Nora, one of the scientists, is a thirty-year-old virgin who spends an anomalous fraction of her time being jealous of the National Geographic woman’s good looks. There are a couple of sex scenes, but those are far outweighed by scenes of people talking about sex and thinking about sex and admiring or despising their perfect or hideous bodies, respectively. The aforementioned trichinoid worms take a strange interest in female genitalia, but I’ll hand that one off to Dr. Freud.

Oversexedness aside, Slither is simply a lousy read. Edward Lee has the same problem Richard Preston did when writing his novel The Cobra Event: the technical bits overwhelm the narrative. But Richard Preston has two distinct advantages over Edward Lee: one, he’s made his career writing about technical subjects, and so has developed a talent for it; and two, he actually knows what he’s talking about. Lee, on the other hand, seems more or less to be making shit up. And even if he’s not, the execution is so horrendous that it doesn’t matter. I cannot imagine any normal person who would throw technical jargon into idle chit-chat; or worse than that, in the case of one male character, act like a complete geek one moment and then like a stud the next.

Of course, somebody will no doubt argue that, since I didn’t read the book all the way to the end that I have no right to comlain about nonsensical plot points. To that I respond: yes I do. I’m a fan of Stephen King, so obviously, I don’t have a problem waiting for nonsnesical plot points to be resolved. The difference between Stephen King and Edward Lee, though, is that Stephen King is a good writer, while Edward Lee reads like a hybrid between a fourth-grade science book, a pulp novel, and a sexually-frustrated twentysomething’s lurid, sweaty fantasy. Slither’s few virtues–well-thought-out plot, mildly interesting characters, semi-inventive ideas–are simply not enough to compensate for its insipidness and its dry, uninspiring prose.

How I Beat Writer’s Block

Ah yes, the famous writer’s affliction strikes again. But this time, instead of grovelling at Writer’s Block’s knees, whimpering for it to please go away and let me write, I kicked it in the ass, hurled it off my porch, and threatened to pull off its gonads if it ever came ’round here again. This isn’t some sort of guide, and this solution will probably only work for me, but here it is, how I beat writer’s block.

First, the backstory. I’ve just recovered from a week of semi-insomnia and maybe a month or two of lousy writing. Now that I spend the bulk of my time shoveling different kinds of composted shit, writing has become just about the only useful thing I do (unless you count honing my Fallout skills and learning how to cook lentils), so it was pretty damn distressing when the old WB left me with nothing but Fallout and beans.

But like I said, this time I didn’t curl up on the floor and whimper. This time, I kept fighting it, trying to beat it. So, the first key thing when it comes to beating writer’s block is PERSISTENCE.

Of course, no amount of persistence could fix the fact that I was subconsciously pretending to be Stephen King. The solution to that little problem came when I made an effort to RE-DISCOVER MY VOICE. Which didn’t do me any good as long as I had no stories I felt passionate about writing, so I WROTE OUT MY FRUSTRATION. The result was this: A tiny story called Writer’s Block, and the solution to my problem. Enjoy!

*          *          *

WRITER’S BLOCK

I was scowling at the computer screen when she came in. She was the last person I wanted to see, and I couldn’t get rid of her. As I heard Andrea sitting down next to me, I let out a small sigh.

“You’re looking rough,” she said. I shot her a frown and turned back to the computer.

“Writer’s block.” She took a sharp breath.

“I’m sorry.”

“Yeah…don’t worry, I’ve got it under control.” She leaned forward and read what little there was to read over my shoulder. When she slumped hard back into the chair, I knew what was coming. When I looked over at her, she was rolling her eyes.

“Wow….read enough Stephen King lately?” I glanced to the computer, and then back to her, turning in the chair and eliciting that mousey squeak from its poorly-oiled bearings.

“What?” She smiled up at the ceiling with mock innocence.

“Nothing. Just a familiar style, that’s all.” Now, I turned the scowl I’d reserved for the computer on Andrea. Her mocking sarcasm was hard enough to take on a good day, and it was not a good day.

“You’re saying it’s unoriginal.” She looked up at the ceiling again.

“’I stole one last glance at the old pocketwatch as it tumbled down into the sewer drain. The light of the setting sun flashed off its face for a moment, and then it was gone. Hopefully, forever.’” She looked at me with those scalpel-sharp eyes of hers, and gave a similarly sharp smile.

“What’s wrong with that?”

“Nothing, if you’re writing for Hollywood.” I felt my face flush immediately, and put up a noble battle against the urge to stand up and shout at her.

“That’s not Hollywood!” I barked. She rolled her eyes again.

“Wow…nice to meet you, Mr. I-Can’t-Take-Criticism. New in town? No, I think you must’ve been here a while.” I realized my nails were digging into the arms of the chair, and I tried to slow my breathing and calm down. With her still smiling that goofy, incisive smile, it was difficult.

“I can take criticism.”

“Clearly not.”

“I can!”

“You can’t. If I told you what I wanted to tell you, you’d hit the roof and then yell at me to leave.” The fact that she was right was infuriating, as it often is.

“Tell me.”

“No.”

“Stop playing games!” Andrea’s smile broadened.

“You really don’t want to hear it.” I sighed, my anger finally exhausted.

“No, but I probably need to hear it.” Some of the sharpness went out of her eyes, and her smile grew softer.

“Now there’s the right way to ask. But you have to promise me you won’t yell.”

“What do you care if I yell.”

“Promise me.”

“What does it matter if I get angry?”

“Well, we can’t have you getting your blood pressure up, can we?” she mocked. I almost wanted to shove her out of the chair.

“Fine. I promise.”

“Good.” She folded her hands and leaned forward. “First of all, I have a suspicion that I know where this story is going. Let me guess: main character buys weird pocketwatch from old gypsy, discovers it has supernatural powers, uses them, pays dearly, finally decides to get rid of it.” Her rightness continued to irk me.

“I wasn’t sure where I was going with it,” I lied.

“Fine, I’ll pretend that’s true for the sake of argument. But what the hell’s the deal with the style?”

“What’s wrong with the style?” My face was getting hot again, and I was leaning forward, trying to bore into her skull with my eyes.

“It’s forced, and like I said, it’s pretty Stephen King-ish.”

“Stephen King’s a good writer.”

“Right. Stephen King is. But Brad Gorham pretending to be Stephen King is something of a hack.” I could feel my carotid artery pulsing against my shirt collar.

Nothing came out of my mouth but a long, drawn-out Hhhhhhh. I couldn’t bring myself to say the H-word. I stood up (the chair squeaking like a rat), and balled up my fists. Andrea, as always, did not look concerned.

“Sit down. You’re not going to hit a girl, and even if I was a guy, you wouldn’t hit me because you know that I’m right and you’d feel terrible afterwards.” After standing there for a moment drowning in bile and breathing my own hot exhaust, my fists loosened and I sat back down. “Besides, I didn’t actually call you a hack. I called Brad-as-Stephen-King a hack.”

“You know how easily other writers influence me.”

“Stop making excuses. Like it or not, you’re trying to be Stephen King.”

“I’m not!”

“Oh, shut up,” she said playfully, “You are, and you really ought to stop lying to yourself. You’re trying to be Stephen King, because you like his style. But I can tell from the expression you had on your face that you don’t enjoy his style. You don’t like trying to write in his style. It’s too hard, and it’s no fun.” She was right, and my anger had been replaced by rueful concession.

“Okay. So what do I do, then?”

“It’s obvious.”

“No it’s not.”

“Yes it is. Get back in the groove. Find your style again.”

“How?”

“I don’t know, you’re the writer.” That made me smile a little, and Andrea caught my smile and magnified it. “Try writing from your own perspective.”

“What about, though? I lose interest in everything I try to write.”

“Well, write what you know. Write about writer’s block.”

At the front of the house, a key rattled, and the knob made a clunk sound. The door squeaked (sounding nothing like a mouse), and heavy footsteps thumped down the hallway.

“Sounds like George,” said Andrea, getting up from the chair and turning to leave.

“Wait a second!” I protested, swiveling to face her as she paused in the doorway. She looked down at me.

“What?”

“We’re not finished yet!”

“Well, you’ve got something to write about now, so hop to it!” She smiled and walked out into the hallway. A second later, George walked in, sweaty from his run and breathing hard.

“Who were you talking to?” he rasped, wiping beads of sweat from his huge forehead. I almost said Andrea, but I stopped. George wouldn’t really understand. But I said something fairly close to the truth.

“Myself.”

Movie Review: “Crank 2: High Voltage”

A few years ago, I saw Crank, and think of it now (as I did then) as the cinematic equivalent of chugging three Red Bulls and staying up all night playing Grand Theft Auto: a hell of a lot of fun, but high-calorie, dangerous, and bad for you. At the risk of overextending an already-flimsy analogy, this is how I see the sequel Crank 2: High Voltage: like snorting an ounce of cocaine cut with meth and then sprinting across the highway. That is to say: insane, stupid, but ridiculously thrilling.

In this paragraph, I usually talk about the plot. Not this time, though, for one simple reason: I’m not exactly sure what happened. High Voltage has that same insanely fast-paced, no-holds-barred, in-your-face action that Crank had, only magnified by a factor of several million. Enough bloody gunfights, sex scenes, and wild characters flit past to fill two or three full-length movies, all crammed into your brain in an hour and a half. Here’s the “plot” in a nutshell: insane hitman Chev Chelios did not, as rational people might think, die after falling from a helicopter onto a Cadillac. Oh no, he lived on to have his heart removed by surgeons-turned-gangsters (or gangsters-turned-surgeons), and replaced by an artificial pump. Now, he must keep it charged while he runs around kicking ass and doing wild, bizarre things and killing a lot of folks. Here’s the kicker: he charges it by getting shocked. That’s not the only massive suspension of disbelief heaped on the viewer, but it sets a sort of weird tone for the rest of the movie. Crank, at least, could pretend to some kind of plausibility, but High Voltage has stumbled several yards over the line separating “well, it could happen” from “utter bullshit.”

That is not to say that I didn’t enjoy the sequel. What little of it I could integrate, that is. If you don’t want to spend the fifteen bucks to see it in theaters, you can replicate its effect rather easily: stare at a rapid strobe light for half an hour with death-metal (I suggest Rammstein) turned up to full blast in the background, and that’s pretty much what it’s like to watch High Voltage. In all seriousness, I would warn all epileptics not to even consider watching this film. The cuts are fast and jittery, and the whole thing is very in-your-face. It has taken me (no joke) almost an hour and a half to even begin to recover from the sensory overload High Voltage caused. Here is where the director lapsed into insanity. High Voltage is so frighteningly intense that, after about half an hour, I couldn’t even make sense of it anymore. My brain could no longer integrate the lightning-quick scenes and surreal segues, and I saw everything through a sort of dizzy tunnel vision. It is not an exaggeration when I say that High Voltage is not a movie meant to be watched by normal humans. If you watched it through twice in succession, you probably wouldn’t be able to tell. Your brain would probably also liquefy, so don’t try it.

All in all, though, High Voltage is a juiced-up high-calorie mind-blowing sexually-charged insanely-intense adrenaline-fueled amphetamine-shot of a movie, and if you’re looking for cheap thrills, you’d probably have to take actual drugs to top the angry spasticity of this movie.

Final Judgment: * * * * * * * * – - (8 / 10)

Idea: The Un-Game

Once again, an idea came to me while I was in the la-la land between waking and sleeping, and I thought I’d share it with you, dear reader(s): the Un-Game. Basically, the Un-Game is a piece of software that looks and behaves more or less like a video game (in most cases a first-person shooter), but isn’t. It has the same sort of graphics and controls, but no plot or real objectives. The idea came to me while I was being generally disappointed by both movie versions of Stanislaw Lem’s Solaris. The 1972 version was long and depressing and strange, and the 2002 version missed the spectacle of the planet entirely. I realized that it wasn’t likely that anybody would do a re-make any time soon. But the only other venue with special effects to do justice to Solaris is the video game industry. And thus, the idea of the Un-Game was born. Here are a few examples:

Solaris: The player wanders around Solaris Station, maybe interacting with the crew, but they also have the option to go out and just look at the scenery, watch the suns rise and set, and observe the ocean’s strange transformations. That would be the main focus of the game: trying to visually re-create the symmetriads and agiluses that Lem described so vividly in the book.

Schizophrenia: Something like this already exists in Second Life, but I’d be interested to see a more thorough, first-person treatment that lets non-schizophrenics like me get an idea of what the symptoms are like. This could also be applied to other dieseases like epilepsy or autism: the player could have goals like go to the grocery store or drop the mail in the mailbox, and try to do them in spite of the symptoms.

Hallucinogens: Many moons ago, I played an interesting modified version of Tetris. The rules were exactly the same, but the player had to combat drug-induced hallucinations while slotting the blocks into place. Once again, I think a first-person-shooter-type perspective could be interesting here, giving people an idea what it’s like. This one has the most potential for development into a traditional FPS.

Training: I know that simulations like this already exist in huge numbers, but as I keep saying, I think the FPS perspective has a lot to offer here, allowing people to experience the dangers and intricacies of a new job or a new task.

What I’ve Been Doing Lately

  • Occasionally wallowing in blog-related guilt, mostly brought on the fact that I haven’t been posting anything because I’ve been…
  • …working a lot, and spending most of my spare time…
  • …writing because I’ve finally recovered from another spell of writer’s block, and because I’m suddenly feeling a matehmatician-like “pressure to publish”. Fortunately, I’ve still had time to do things like…
  • …see movies. For example, Knowing (starring Nicholas Cage, directed by Alex Proyas), which I thought was pretty decent until around two thirds of the way through when it basically became religious propaganda. Still, it was nice to have a movie to watch since…
  • …bugger-all’s been coming out lately. Here is my ultimatum to the movie directors of the world: can the stupid remakes, the stupider sequels, and the even stupider (God, how did we sink so low?) romantic comedies and various other slush. Pretty much all the movies I’ve seen (in theaters and through Netflix) lately have been more or less unwatchable…
  • …like the 1972 Russian version of Solaris, which, although it was more faithful to the actual plot of the novel, was so drawn-out and depressing and awful that I just gave up watching it and sent it back. It switches from black-and-white to color at random, there are long boring segments that serve no purpose (after all, who wants to watch traffic for fifteen damned minutes?), and it’s three fucking hours long. Now, it wins big points in the carnality department, but only because the Rheya of the 1972 movie is so much hotter than in the 2002 version with George Clooney (don’t get me wrong, though, I have no problem with Natascha McElhone…ahem…right). Apart from the previous bullet points there…
  • …hasn’t been much to talk about, which explains the lack of updates. As for why I decided that this would be a good format for a post, well, I guess you can just…
  • …chalk it up to sleep deprivation, which always makes me think very highly of my stupider ideas.

Happy Pi Day!

That’s right, 3-14 has come around yet again! So, happy pi day! And happy birthday, Albert. In celebration, I present to you all of the digits of pi that I’ve memorized so far:

3.141592653589793238462643383279502884197169399375105820974944592307816406286…

And now I’m off to eat some pie.

The Weekly Update #13

What I’m Reading Now: I finished Invisible Monsters. Fairly great book, but the ending was a little weak.

What I’m Writing Now: I’m working on a bunch of different short stories, but most of my writing time is taken up doing research.

What I’m Playing Now: Still Fallout 3. I’m re-discovering the joys of having an unapologetically evil character.

What I’m Watching Now: Apart from a little Red Dwarf on DVD, nothing.

My Inspirational Thought of the Week: “There are 6.7 billion people on Earth. This greatly increases the odds that, someone else is facing the exact same problem as you and wondering what the hell they’re going to do about it.”